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I'd like to introduce all of you to a friend of mine, Diane Vallere. We've known each other for years, belong to the same organizations, served on committees together, but ... we've never met. Gotta love the internet! I'd know her in an instant if I saw her on the street, and I know enough about her to tell all of you that she is one of the most creative people I've ever met.
Diane is a prolific author of short stories (in 3 anthologies), full length novels that include two separate series; The Style and Error Series and the Mad for Mod Series -- so far a total of 7 titles -- and is working on a Fabric Shop Mystery Series for publisher Berkley Prime Crime.
Phew!
She also worked for years as a buyer for one of THE most famous luxury goods retailers, traveling the world to runway shows, shoe markets and lingerie fairs. Is she qualified to write what she writes? Darned toot'n! She's got the fashion industry nailed, and her books make you feel like you're part of it (I know this because I've read them all). Diane is also supremely qualified to hold forth on the genesis of ideas for entertaining stories, but I'll bet you've figured that out by now. So, without further ado, here's Diane!
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Diane's newest! |
Most people who know me know how much I love Project Runway.
And the one thing that resonates with me each week is how the designers are
given their inspiration and immediately told to sketch their ideas. Thirty
minutes, and then off to Mood Fabrics. The designer who can channel their
inspiration and merge it with their brand quickly has a much easier time when
it comes to selecting material and assembling a dress.
In a way, I approach my books like a designer. Each series is
a collection; the combination of my books make up my brand. And the inspiration
can come from anywhere: a line at the bank, a day at the beach, an appointment
with a personal shopper, an old movie. The best way for me to keep rejuvenating
the pool of ideas in my head is to keep exposing myself to new things.
I keep a composition book for every project that I’m working
on, and any time something strikes me that might work somewhere in a book, I
jot it down in the notebook. (I am a compulsive composition book buyer for this
reason). I buy them in coordinating sets of three to represent three books in a
series. If I get an idea for a future book, I can tear out the page and clip it
to the cover for the next book in that series.
Example: Because I knew I wanted to use a counterfeiting
crime as part of the plot of THAT TOUCH OF INK, I was especially tuned into
anything involving money. I watched how people acted at the bank. I paid
attention to people who used cash instead of credit. When something struck me,
I’d write it in the designated composition book. When I needed to shake loose
an idea, I’d flip through the composition book until something felt fresh. That
doesn’t mean I only had ideas about counterfeiting crimes during that time. In
fact, I was so in tune with those characters that I got the idea for the third
book in the series too. Since my writing schedule didn’t allow for me to write
it right away, I started a new notebook with those ideas. (I started the third
book in November and found a lot of ideas that just needed to be fleshed out!)
Getting ideas is easy—as long as I keep myself exposed to
what is going on outside of my computer!
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Want to find out more about Diane's books? Go to her blog DIANE VALLERE (Go on, click on her name), and read excerpts from her books. All her books are available in print and e-book formats. She's got links to Amazon, Kobo, Barnes & Nobel, Indiebound -- you name it. You'll find her everywhere. I can guarantee a delightful read!
I've known Diane for years, too, and have watched her develop over time as a writer. She amazes me with her ideas. She's a good writer who can inspire a person to keep their dreams going.
ReplyDeleteI'm very proud of her accomplishments.
Dee
Thank you, Dee! Always keep going with your dreams!
ReplyDeleteLove it Diane, and since I'm well into Buyer, Beware right now - it's great to know how some of those ideas spring to live. I'm off to buy some notebooks - Clairefontaine for me - I write in flowing ink :) Keep up the GREAT work.
ReplyDeleteLove it Diane, and since I'm well into Buyer, Beware right now - it's great to know how some of those ideas spring to live. I'm off to buy some notebooks - Clairefontaine for me - I write in flowing ink :) Keep up the GREAT work.
ReplyDeleteTerrific post, Diane!
ReplyDeleteI think writers need to be great noticers of details... and file those details away in their heads for use in the oddest of ways.
Excellent post, Diane! Thanks for sharing your creative process. So impressed by your work ethic.
ReplyDeleteKait-My notebooks are starting to take over my apartment! Enjoy Buyer, Beware!
ReplyDeleteWilliam-I agree with you on the details. When I'm stuck in a lobby or a line, I watch people for little habits that I can use on a character. I'm never without paper and a pen if inspiration strikes!
Joanne-We all need to find our own process, but I've picked up lots of good tips from other writers along the way.
Thanks for the comments!
I love that idea--notebooks for each project! Dare I? My purse is almost too heavy to lift already. Surely I can fit 3 or 4 notebooks in. Or 5. Or 6. When I'm in line somewhere, I love to try to engage my fellow waiters in conversation. On a good day, I can get a whole life's story.
ReplyDeleteKaye-what we do in the name of research! I usually only carry the notebook for what I'm working on, and if I get ideas for a different project I tear out the pages and clip them to the inside cover of the correct notebook with paper clips or binder clips. My Style & Error notebooks match the cover I plan to use for the book, and my Mad for Mod covers are all pink, aqua, and yellow. It's oddly fun to pick out the notebook to "match" a project. Then again, who among us doesn't love office supplies?
ReplyDeleteOh good, only one notebook! I already carry 2, so I'll stick with that. The covers ARE rather boring, though....
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