Friday, April 6, 2012

A New Look For DBADH

Death By A Dark Horse has a new look!

Is that Blackie on the cover?

The cover model is High Spirrits, a pure Polish Arab dressage horse owned and operated by Stacey Sikorski. Somewhat contrary to this image I chose for the first Thea Campbell Mystery cover, Spirrit is a happy, friendly horse if a bit of the equine version of the Energizer Bunny -- and NOT the equine version of a fire-breathing dragon!

What do you think?


Friday, March 2, 2012

SALE! THEA CAMPBELL MYSTERIES! SALE!

March 4th through the 10th is ...
READ AN E BOOK WEEK. 


At Smashwords.com


What does that mean for you? 


All Thea Campbell Mysteries -- 


     DEATH BY A DARK HORSE, 
          LEVELS OF DECEPTION, 
               AN ERROR IN JUDGMENT 


-- are  on sale for $1.50 at Smashwords.com! 


Hey, you can't even get a cup of coffee for that price, and heaven help you if you set it down for a few minutes. It'll go stone cold -- unlike a good story, that will remain HOT no matter how long it takes you to read it.

Smashwords offers all the books in a variety of formats. Choose the one that will work for your e-reader, download it and you're good to go.

Do you have to go to Smashwords to get the great price? Yes. The deal is only available there.

How do you get the great price? 


Click on any book cover below and use the codes next to it any time from March 4 through March 10 when you click the buy button at Smashwords.com.








DEATH BY A DARK HORSE  code: REW75
(Thea Campbell mystery #1)






LEVELS OF DECEPTION  code: REW75
(Thea Campbell mystery #2)




AN ERROR IN JUDGMENT  code: REW75
(Thea Campbell myster #3)








Enjoy the adventure!!

Saturday, February 18, 2012

Title Contest Winner!

We have a winner!

Thea Campbell Mystery #4 is now officially known as ... 


BUSH WHACKED


Thanks a million to Sally Matteson who (once again -- An Error In Judgment was her suggestion, as well) provided the punny title. It captures the humorous mood of this particular adventure perfectly.

Now my cover artist Tracy Hayes at Pastiche Studios can proceed. As soon as she's done I'll post her creation. 

Thanks to everyone who submitted entries on the blog and privately. You are a clever bunch with wonderful ideas!

Wednesday, January 25, 2012

Name That Book!

The first draft of Thea Campbell #4 is done and taking a nap. I've been doing my best to leave it alone, and perhaps I'd be more successful if I didn't feel something was terribly lacking -- even at this stage. If I just had a title ...

Remember This Name-The-Book Contest?
Hey, I know! I'll hold (another) contest!

The last one was so successful that I believe I'll go down that road again. Here's the rules; 

Read the synopsis below and give me your suggestions for titles -- as many as you'd like, and I don't care if you duplicate someone else's -- either in the comment section of this blog or via email to susan @ susanschreyer dot com. 

That's it.

Everybody wins -- Yay! Like last time. Yay! -- a free e-book, and the person who submits the winning title gets their name in the book's acknowledgments. Think of it as immortality :)

Thea Campbell Mystery #4


A Rhododendron - see why Thea wants to save it?

A slippery slope of unpleasant incidents begin the New Year for Thea Campbell and fiancé Paul Hudson. The last thing they expect to find when digging up a big rhododendron next to their fire-damaged house are human bones. Word gets out and speculation runs rampant in the small town of Snohomish, Washington. Thea's aunt is among those who believe the skeleton belongs to the ghost she claims haunts the home. Others say it's a pirate from long ago killed by his captain and left to guard a buried treasure with his spirit.

Unfortunately, the county forensic team finds it difficult to make any headway in the investigation when the bones vanish almost as soon as they're uncovered.

The New Year's Eve party should take their minds off what will surely delay their home's reconstruction, but generates more commotion than celebration -- and not just between Thea and Paul. No one seems to be able to keep from being drawn into conflicts they'd normally avoid.

The problems don't stop there. Much to Paul's annoyance, the contractor hired to do work on the house seems to have the hots for Thea. Unfortunately, the contractor's leads for upgraded new appliances and fixtures provides seem suspiciously hot as well.
The Kitchen Centre
Wouldn't you be suspicious getting this for cheap, too?

On returning home from the party they find holes have mysteriously appeared in the backyard. No sooner are they repaired than they appear again.

Could the rumors be right? Could the bones really have been cursed?

An annoyed Thea finds herself hosting a séance Paul suggested as a joke, and stumbles onto a scam to feed the silliness of ghosts and buried treasure. There is surely no curse, but why go to so much trouble over a fictional legend? Then someone breaks into Paul and Thea’s temporary apartment and steals an old diary that could have provided clues to the skeleton's identity. Sure, the thief tidied up, but that only verifies, to a furious Thea, the culprit’s identity.

Then there's the issue of those vaguely threatening, digitized-voice phone calls. Thea, although mildly rattled at first, refuses to respond. But instead of being discouraged, the caller becomes more desperate and demanding. Paul, nearly frantic with worry since the messages are for Thea, is determined something be done.

There's no doubt every bizarre and unpleasant event since the discovery of the skeleton is connected. Thea and Paul need to solve the mystery and put all the madness to rest once and for all, but are they headed for a trap that will be their final rest?

Monday, January 16, 2012

Hair


I spent the entire day, yesterday, in my pajamas. I think I brushed my teeth, and I'm fairly certain I ate. I know I drank a lot of coffee.

Why?

Because I was on the home stretch.

By the time evening rolled around I'd finished the first draft of my fourth book.

Hallelujah!

Yup, pretty satisfying stuff, if I do say so myself. I'm looking forward to editing. Seriously. It's a happy, if intense, time where you mold and coax the story into its potential. I can't wait. But wait I must. In the meantime I get to do the other things I've neglected over the past few months like … clean my house.

It struck me this morning, while I was drying my hair (yes, it really needed washing, but I haven't totally neglected personal hygiene -- I swear. My husband would have moved out), that writing a novel is not unlike conquering one's hair.

Stick with me a moment on this. I promise I haven't burned out so many brain cells that I've mistaken my Kindle for a flat iron.

You start out -- if you're me -- with a long, unruly mane. It goes where it wants, tangles into knots that are painful to undo, and generally makes you look like you've just spent the last five years in the jungles of Borneo without a mirror.

So, you wash out the residue from your last go-round, take out your trusty tools -- blow dryer, round brush, flat iron, conditioner, clips -- and go to work. After a certain amount of time doing the best you can and being fairly satisfied with your results you begin to notice -- especially when you compare yourself to the "professional hair" in the magazines -- something is just not working.

If you're me, this is when you admit that trimming your own bangs really isn't getting the job done anymore. You need professional help. That's when you pick up the phone and make an appointment with your editor,  hair stylist.

You go in for your appointment turn your hair over to the pro of your choice and -- because she's done wonders with your book hair before -- relax and let her do her thing. A little cut, a little color, a new product to fix the overworking and other problems that have been sneaking up on you and you're ready for your public.

About now, you're feeling so good you decide to go out and buy a new pair of shoes to go with your improved hair.

See? Didn't I tell you? Novels, hair … not that different. You gotta work to make it look good, and in the end it may all be fiction but it still gives you a thrill.



  

Wednesday, December 28, 2011

It's Only Words ....



I'm not generally given to rants -- at least publicly. But something has started to bug me lately and I'm finding it as irritating as that little pebble that keeps shifting around in your shoe. You never know when you're going to step on it, and when you do it makes you cringe.

Perfect.

No, not the pebble, the word. It's become the short-hand substitute for "okay," "I heard you, but have nothing to say in response," "thank you for your order," and other phrases that would be more appropriate to the situation.

When I go to a restaurant and place an order, I do not want to hear, "Perfect" unless I've managed to pronounce a difficult French or Italian word well. I did NOT tell the waiter/waitress what I wanted to eat in order to get an evaluation of my verbal rendition of the menu. And to be perfectly honest, I doubt they care and would probably say the same thing if I asked for a glass of water and a cracker. What I want to hear is, "I'll be back right away with your drinks." Is that too much to ask?

When I go to the bank to make a deposit I do NOT want to hear the word "perfect" when I respond "yes" to the teller's "just one deposit for you today?" question. First of all, we both know it's not perfect. It's a deposit. If it was perfect I'd own the damn bank, and not be depositing my measly check into my sad little account. Is he really saying, "What a relief. I was afraid you'd try and make a withdrawal"? Or, perhaps "What a relief, I was afraid I'd have to spend more time being nice to you when what I really want to do is a) flirt with the other teller at the drive-up, b) eat my lunch, c) go back to pretending all this money is mine"?

You can't even make the case that "perfect" is this decade's substitute for "groovy" or "far out" or something else from our murky verbal past. Those words/phrases carry a connotation of approval, of being on-board with the situation. Even the f-bomb carries connotation depending on context. And NO you cannot substitute the f-bomb for "perfect." Try it, it simply doesn't work.

Waitress: What would you like?
Me: I'll have the turkey sandwich and salad.
Waitress: F___.

Bank Teller: Just one deposit for you today?
Me: Yes.
Bank Teller: F___.

See, doesn't work.

So, to all of you who have fallen into the annoying habit of using "perfect" when you should say something else, I give you a line from The Princess Bride.

You keep using that word. I don't think it means what you think it means.

Wednesday, November 2, 2011

Happy Birthday, Thea & Blackie!



Depending on where you look -- Smashwords or Amazon -- it's been a year since Death By A Dark Horse saw the eyes of new readers. Hard to believe, I know, and yet it feels like I'm an old hand at this publishing game. In ways that have challenged me repeatedly, I am.

In the past year, two more books have joined DBADH -- Levels Of Deception and An Error In Judgment. No, I didn't write them really really fast. I took my time with each, learned a lot and polished multiple times before each of them took their turn in my personal publishing queue. All three books were written when I thought I was pursuing the traditional route to readers, before I made the decision to go Indie a year and a half ago.

In a year's time the publishing industry has changed at a speed few could have predicted. It's exciting and a little scary. New opportunities are opening for authors almost daily, new challenges arise at the same time and I'm getting really cozy with the dizzying feeling of the world rushing around me as the ground shifts under my feet.

I do have a few anchors. Without them I'd be hiding under a rock somewhere, or more likely, working in a local fast food joint, dreaming about what could have been. So, a HUGE thank you and Big HUGS to the following people who have kept me tethered to sanity and on track. The list is not complete nor in any order, by the way. Many more people should be on it. Nevertheless, let me say ... 

Ladies and gentlemen, you rock.

If you, the reader, choose to Google these names, you'll understand why I feel so blessed.

Lisa Stowe
Chris Roerden
Mary Buckham
Anne Christensen
Margie Lawson
Tracy Hayes -- Pastiche Studios
Lisa Harris
Jessica Miller
Larry Karp
Jane Isenberg
Kris Neri
MK Windom
Kaylan Doyle
Puget Sound Chapter of Sisters In Crime
Anne Charles
Amber Scott
The Guppies Chapter of Sisters in Crime
The members of O-Pen writers' group
My supportive family and …
All of YOU who have become part of Thea's family.