Showing posts with label Levels of Deception. Show all posts
Showing posts with label Levels of Deception. Show all posts

Friday, December 6, 2013

The Great Idea Fairy

Yes, that’s exactly where story ideas come from.

Wow! You mean they're real!?!



Sometime, in the middle of the night, the Great Idea Fairy squeezes her voluptuous self through my partially opened bedroom window (I need fresh air when I sleep), and whacks me over the head with her hefty magic storybook.
 I wish.

Paul's chance to be a hero. Did he blow it?
For me, it can be difficult to find the source of my next tale, and it often isn’t where I expect it to be. If I’m lucky, the story I’ve just written suggests the next. That happened with Levels of Deception. I was deep into editing Death By A Dark Horse and the characters were flexing their muscles, begging to go off on more adventures. Paul wanted to go to Montana and dig up dinosaur bones and Thea, fresh from victory, was wanting to be a hero again. Okay, to be honest, Paul wanted a shot at hero, too.

Did I want to make them happy? Darned right I did. They were fun and adventurous. And what better way to make them happy than give them both what they wanted – which had to put them in direct conflict with each other.

That made me happy. Nothing like two people struggling to “make it work” and ready to sacrifice it all for that goal. Throw in a murder and danger from an unknown source, to up the stakes, and … Wow! My hands are already sweating!


A real-life baddie inspired this story.
Shooting to Kill, the most recent in the series, had it’s source in an article I read about a real person. The article gave me the creeps, and I wondered how someone who was more than a bubble and a half off plumb could con so many smart people and not be found out until something violent happened. What would it take to coexist with someone like this? I knew the ends would they go to in order to accomplish their goal, but what would happen if someone stepped into their path?

Obviously, here was a job for Thea and Paul.  

Lacking a personal Great Idea Fairy, I fall back on gaming out the old “what if” theme. How do I choose which of the many ideas to use? There are plus points if my protagonists can be in conflict with each other as well as other characters. I like to stir things up. Other than that, well, if I can imagine some humor and unusual twists I’ve likely got myself a story to tell.

Because every writer has his or her own twist on story creation, I’ve enlisted a number of my writer-friends to reveal the spark that drives their creativity. Over the coming weeks a variety of authors whose styles and processes differ from mine will stop by. It'll be fun to get a glimpse of the behind-the-scenes workings of some very talented folks. I'm looking forward to it!


Sigh. Please, don't tell me you believe her drivel about who comes up with the stories. And I'm NOT voluptuous.

Saturday, December 1, 2012

New Book Covers

While I've been preoccupied with a number of tasks, chores and drama (including working on the newest Thea Campbell mystery) my talented friend Tracy Hayes has been creating brand new covers for the print version covers of Death By A Dark Horse, Levels Of Deception and An Error In Judgment. Yes, the photographs are mine, but without Tracy's ability to take raw material and make magic happen, they would have been just ordinary photographs. So, as they say .... Ladies and Gentlemen, I present ---


The horse in this picture is not my Eddie -- who is white (gray, if you're being absolutely correct), and therefore unsuitable -- but Stacey Sikorski's very excellent dressage horse High Spirrits. The photograph was taken at a clinic with Henrik Johansen, and Spirrit was exhibiting the exuberance that earned him his name. Stacey, ever the tactful rider, was simply sitting quietly and waiting for him to settle down. I think his energy comes through in the picture and particularly the book cover! 



This photograph is actually a "negative" of the original. Fossilized Trilobites are not white, as you may know, but black. With the exception of the trilobite in the center, all the images are fossils my husband and I dug at a little place in Eastern Washington called Stonerose Interpretive Center (go ahead and follow the link if you are intrigued). I do own the trilobite, but bought it so many years ago that I can't remember where now.




This is a photograph of my daughter -- and yes, she is this beautiful, but she's not blue. And no, guys, you don't get a link to her. We staged the photograph specifically for the book cover. Bless her heart, she was very patient with me. Of course, she could simply be used to her quirky mother by now!

I hope you all enjoy these new covers even half as much as I do. The images above are for the print covers. The ebook covers will follow suit, if they haven't already. Many thanks to everyone who has aided and abetted my wild schemes and nutty ideas!

Wednesday, November 2, 2011

Happy Birthday, Thea & Blackie!



Depending on where you look -- Smashwords or Amazon -- it's been a year since Death By A Dark Horse saw the eyes of new readers. Hard to believe, I know, and yet it feels like I'm an old hand at this publishing game. In ways that have challenged me repeatedly, I am.

In the past year, two more books have joined DBADH -- Levels Of Deception and An Error In Judgment. No, I didn't write them really really fast. I took my time with each, learned a lot and polished multiple times before each of them took their turn in my personal publishing queue. All three books were written when I thought I was pursuing the traditional route to readers, before I made the decision to go Indie a year and a half ago.

In a year's time the publishing industry has changed at a speed few could have predicted. It's exciting and a little scary. New opportunities are opening for authors almost daily, new challenges arise at the same time and I'm getting really cozy with the dizzying feeling of the world rushing around me as the ground shifts under my feet.

I do have a few anchors. Without them I'd be hiding under a rock somewhere, or more likely, working in a local fast food joint, dreaming about what could have been. So, a HUGE thank you and Big HUGS to the following people who have kept me tethered to sanity and on track. The list is not complete nor in any order, by the way. Many more people should be on it. Nevertheless, let me say ... 

Ladies and gentlemen, you rock.

If you, the reader, choose to Google these names, you'll understand why I feel so blessed.

Lisa Stowe
Chris Roerden
Mary Buckham
Anne Christensen
Margie Lawson
Tracy Hayes -- Pastiche Studios
Lisa Harris
Jessica Miller
Larry Karp
Jane Isenberg
Kris Neri
MK Windom
Kaylan Doyle
Puget Sound Chapter of Sisters In Crime
Anne Charles
Amber Scott
The Guppies Chapter of Sisters in Crime
The members of O-Pen writers' group
My supportive family and …
All of YOU who have become part of Thea's family.

Thursday, March 24, 2011

A Conversation with Paul Hudson

It has been pointed out to me (thank you, Juliet) that I haven't interviewed any of the men from Death By A Dark Horse or Levels Of Deception except Jonathan. While entertaining, he's not as admirable as some of us (Juliet) would like. To correct the skewed interview archive I've asked Paul Hudson, leading man of the Thea Campbell Mystery Series, to be here today and give us some of the intimate details of his sexy self.

Susan Schreyer: Welcome Paul, glad you could stop by.

Paul Hudson: Susan, you said this wasn't going to be too personal.

SS: Oh! Well, (laughs) don't worry. [aside to readers] much. [to Paul]  So, let's get started.

PH: Fire away.

SS: In Death By A Dark Horse we are shown contrasting glimpses of you. You're an intellectual, but you get your hands dirty working on farm equipment. You dress conservatively, yet you sport an earring. You're pretty tuned in to other people's feelings, yet you can (rather loudly) lose your temper. In Levels of Deception we also see your ability to keep your cool and be passionate as well. You're a pretty complex guy.

PH: Not really. I've just learned to adapt, thanks to a little sister who wouldn't let me be a jerk, and an older brother who continues to be one. I wouldn't call myself an intellectual --

SS: But you've got a PhD.

PH: It was a means to an end. Paleontology and geology fascinate me. Earning a PhD was a way to stay immersed in it.

SS: What is it about dinosaurs and rocks that fascinate you?

PH: (laughs) Honestly? There's a certain, oh, romantic appeal to it. Looking at a mountain range, or desert, or old river bed grabs my imagination. What was this spot like millions of years ago? What forces caused it to change? Was it gradual, or catastrophic? What animals roamed here, how did they live, what did they look like? Sound like? Smell like? Finding bits of answers, bits of new information, is like putting a puzzle together without knowing the picture you're going for. There are always surprises and more questions.

SS: Like a detective story!

PH: (laughs again) Right.

SS: Do you ride horses like Thea?

PH: I can. 

SS: No kidding! I didn't know that. Are you good?

PH: Just good enough to borrow Henry's horse and go trail riding with Thea and maybe jump a log or two.

SS: Did she teach you?

PH: No, Miguel taught me the basics when I was a teenager.

SS: Miguel? You keep surprising me!

PH: Yeah. Miguel did rodeos when he was a kid -- up until he came to Snohomish to manage Copper Creek for my aunt Delores -- so he knows how to handle a horse. My folks sent me out here in the summers from Minneapolis to clean stalls. They hoped hard labor would straighten me out, and I just wanted to get out of the house. The first week I was here Miguel had a word or two to say about my attitude toward the horses and clients. He figured if I had a taste of what the people who came here to ride experienced in order to do what they loved I'd show more respect. 

SS: Sounds like you were a bit difficult. So, did it work? Did learning to ride straighten you out?

PH: Well, I don't know about that, but I gained some respect. In fact, Thea taught me a thing or two about handling a horse when she was ten and a student here.

SS: I thought you two met just last year?

PH: We did, for all intents and purposes. She doesn't remember me from back then.

SS: Too interested in the horses to notice the cute barn help, huh? So, what happened when she was ten?

PH: I was having some problems leading a horse into his stall. Thea thought I was sending mixed signals and being too rough. She marched over and read me the riot act, then showed me how to do it right. She was a pretty gutsy little kid -- not exactly what I was thinking at the time, though. Embarrassed me enough to stick in my memory.

SS: A little hard on a fifteen-year-old ego to have a little girl show him up, huh?

PH: Oh, yeah. I still remember her lecture. (Smiles) She's still pretty sure of herself.

SS: I think you like that about her.

PH: True enough.

SS: Now, this wasn't so bad -- or horribly personal -- was it?

PH: No. You were right.

SS: Let's finish up with some rapid-fire questions with quick, off the cuff one-word answers.

PH: Shoot.

SS: Favorite color?

PH: Uh...blue?

SS: Favorite food?

PH: Barbecue anything.

SS: Middle name?

PH: Anthony.

SS: Sport?

PH: Soccer.

SS: Lights on or off?

PH: On ... uh...hang on a sec.

SS: Boxers or brief?

PH: Uh, Susan --

SS: Oh, commando! Dress left or right?

PH: Okay, we're done. Juliet put you up to this, didn't she?

SS: There had to be some concessions. You know how she is!

Sunday, March 13, 2011

Goals Update for Levels Of Deception -- We're cookin'!

Levels Of Deception has been out for a couple of weeks now, and WOW! Sales are going well! Thank you, everyone! Thea's second adventure is (at this moment. The list changes hourly) number 64 on Amazon Kindle's Hot New Releases List for Women Sleuths.

Click here: Amazon Hot New Releases to see where LOD is now! 

There's apparently a number of things that influence the position of a book on the Amazon lists. Sales, of course, but also reviews -- the more good ones, and the more stars the better -- and clicking on the "Like" button. There's "Like" buttons on the author page above the author picture, and on the trade paperback page, too. None on the Kindle version page. I have no idea why. However, you don't have to buy to click the Like button, and you don't have to write anything. Just go to the page and click. Easy. Here's some links (and thanks ahead of time for your Liking).




Now here's something really interesting; Sales of Death By A Dark Horse have rocketed. No kidding. DBADH is outselling Levels by 3 to 1. That thrills me, too!

We're on our way to getting into the top 10 on the Amazon lists, not to mention the 50 sales a day goal! Way to go, team! 

Tuesday, February 15, 2011

Levels Of Deception -- Sample

We're working hard, getting closer to the release of Levels Of Deception -- the second in the Thea Campbell mystery series! This adventure starts in Snohomish, Washington before sending Thea into the fossil-laden hills of Montana on a mission to clear Paul of the suspicion of theft and solve the murder that brought the thefts to light. How she manages to stay alive, much less hang on to her sanity is a wonder!

Here's the first chapter!


Levels of Deception -- Chapter 1 


Paul's e-mail said the craters left at the dig site in Montana had likely been made by big earth-moving equipment. They were literally deep enough to swallow a truck. Every last fossil Paul located last year was gone. With a scant two days before the start of his fieldwork class, he needed my help. Now. He was the professor in charge.
I shut down my computer, shoved my camera and the other assorted items he'd listed into a tote bag, and dressed at a rate that would have impressed Wonder Woman. He and I had been together for three blissful, intense months, and this was my first opportunity to show him I'd be there for him when he had a crisis. I flew out my front door and into the fickle Northwest summer sunshine, headed for Seattle and the Burke Museum. I was "girlfriend on a mission" doing everything she could to help the man she was crazy about.
In the short while it took to drive south from Snohomish, and the long while I spent bogged down in Seattle's frustrating rush-hour traffic near the University District, I mentally reviewed Paul's instructions and rehearsed the procedures: Find the parking garage, speed-walk to the museum's archives, locate and photograph each of the fifteen fossils he listed, in the manner he indicated, zip home and e-mail him the photographs. Piece of cake. I'd be a hero and have time to take a dressage lesson on my horse after a full day of work, exactly as I'd planned before reading Paul's e-mail.
However, the annoying delays I'd experienced negotiating the U District's narrow, clogged streets were nothing compared to what I found when I went through the big double doors to the museum's basement archives. My mission stood in danger of being aborted. I stood toe-to-desk with a guard-dragon masquerading as a severely coiffed, gray-haired receptionist. She would not let me pass and would not give me information. There was no negotiating with this woman. I wanted to smite her precious rules right off her thin, tight, policy-reciting lips.
"I'm sorry, Miss Campbell, I told you. I can't let you into the archives," Mrs. Mildred Peabody said, with a sanctimonious lift of her chin and a haughty flare of her nostrils.
Sorry my ass. I drew a breath to plead my case, but she cut me off.
"You're not a student or staff member. The regulations are clear. You missed your appointment time by an hour. General access to the archives must be limited to staff and students or research will suffer. Appointments are meant to be kept." She folded her hands on her aircraft carrier-sized desk. Her gaze did not budge, and her mouth formed an exact, upside-down U.
Freaking stubborn lizard-woman.
"I didn't have an appointment," I said, lowering my heavy bag to the floor and pulling out the printed e-mail. "My instructions arrived at eight this morning." I waved the print-out like a battle flag. "I drove in immediately. Thirty-four and a half miles from Snohomish. Dr. Hudson said," I cleared my throat, "'Go to the archives, find the specimens listed below, use your digital camera and take three views of each. Get them to me yesterday.'" For a long moment the dragon and I locked in a glare-off over the top of the paper. "Dr. Hudson made no mention of an appointment." He'd also failed to mention this potentially mission-foiling road block. I flipped the paper around and held it at arm's length for her to verify.
Her gaze skimmed along the e-mail over the top of her red-framed glasses, then flashed back to me as though she believed eye contact was all that held me in check. Clearly she had no intention of reading anything. Her rule was law. Any reasonable person would have recognized this as an emergency. Any reasonable person would have pitched in to help. Any reasonable person would have been, dammit, reasonable.
"I don't understand why you can't make an exception in an emergency." I crossed my arms. The e-mail still clutched in my hand now sported new creases thanks to my frustration.
"This is not an emergency." The little lines that led the way to her upper lip deepened into furrows.
"Yes, it is." I forced my jaw and mouth to relax so they wouldn't match hers.
Her eyes sparked. "If we make an exception for one person then it won't be long until we have a veritable stream of people wandering in off the street. That's what the museum upstairs is for. Those are the rules."
I'd be damned if I was leaving the museum's archives without the pictures. I opened my mouth, intending to defeat her with the calm, faultless logic that pointed out how a professor's emergency needs for his class pre-empted her trivial protocol, but my temper substituted words and turned up the volume of my voice.
"Then I guess you'll have to be the one to explain to Dr. Hudson why he can't get the material he needs for his fieldwork class, and why the robbery of his dig site isn't as important as your, your rules."
"Is there a problem here?" The man's voice came from behind me.
I spun, ready to defend my mission to the newest obstacle on the scene, but didn't get the chance. A girlish purr answered the very tall and angular middle-aged man first.
"Dr. Fogel."
I swiveled back to see who else had shown up. No one. No one new, that is. A glow bathed Mrs. Peabody's cheeks. She removed her glasses and delicately touched the edge of her crisp, white collar. The dragon had turned into the damsel, and she wasn't in distress. Astounding.
"This is Thea Campbell. She --"
"Oh, you're Thea," he said, his tone both surprised and pleased.
I made another quick pivot.
Dr. Fogel extended his hand. Pure reflex caused me to shake it. "Nice to meet you. I'm Andrew Fogel. Paul dropped me a note, said you'd be by sometime this morning. Helping him with some material he needs, eh?"
The unexpected courtesy caused me to stumble over my "Yes." I darted a sideways glance at Mrs. Peabody. Her gaze narrowed ever so slightly at me before focusing softly on Dr. Fogel.
"Dr. Fogel, Miss Campbell isn't a student or staff member." She seemed to be having trouble holding down a confident little smirk -- like she'd found the trump card necessary to boot me out.
I geared up to argue my case once more, but didn't get the chance.
He smiled thinly at Mrs. Peabody. "I guess you'll need to give her directions, then. I'm off to my meeting." He turned to me. "I'm sure Mrs. Peabody will give you all the assistance you need." With a minute nod, he was out the door. I hadn't had time to gather my wits and thank him.
"Through there." Mrs. Peabody pointed her glasses to a set of double doors to the right, her expression a wintry shade of neutral. "Take the first right and second left. There will be a door on the right. The sign says 'Storage: Vertebrate Fossils'. The light switches are to the left, just inside the doors."
"Thank you," I said, shouldering my bag.
She ignored me, slid her glasses on and returned to her typing. If I pounded on my keyboard the way she did I'd break a finger. I walked away, shoulders braced against possible flying objects. None came.
When I rounded the first corner in the dank hallway I pranced an impromptu jig complete with a victory arm-pump. The dragon was conquered. I'd get Paul's errand done and save his class. His relief when he saw my pictures would light up the phone lines -- when he could get to a phone to call. Yes sir, we were a team, despite the hundreds of miles separating us.
I followed Mrs. Peabody's directions of a right turn then a left, separated by a couple of long hallways she didn't mention, until I reached the heavy metal doors with the sign "Storage: Vertebrate Fossils." I pushed through into darkness that smelled of frigid, dry dirt, and shivered. My skin shrank under my cotton tank top and summer-weight crop pants. My sockless ankles felt like they'd been splashed with ice water. A steady, low hum from an air-conditioning duct somewhere above virtually announced I wouldn't be warming up any time soon.
Feeling my way along the rough concrete wall, I located the bank of light switches, and flipped them all up. So far, so good -- until I turned around.
Row after row after row of industrial-heft racks stretched to the ceiling far above and marched away into the distance. Specimens crowded every shelf.
Like a little boat with a big hole, my mood sank, and with it my confidence in providing Paul the fast rescue he needed. Hope was lost before I'd begun. Hell, I was lost before I'd begun. If I moved away from the door I'd vanish, forgotten until my desiccated body was discovered years from now by some fledgling paleontologist who'd speculate over my remains, assign me a number, and shove me onto a shelf for possible future study.
Then my gaze settled on a scrap of salvation.
A paper scrap.
An index card taped to the end support of a unit.
I hurried over for a closer look. Hot damn. I'd been tossed a life preserver. On the card were handwritten numbers. Numbers with the same format as the ones on my list. A quick survey confirmed that there were cards affixed to each unit. My morbid musings dissolved. I was buoyant with hope once again.
I found the correct aisle, and located the first fossil. The dang dinosaur bone was heavier than it appeared. I wrapped both arms around it, hugged it to my chest, and staggered to the back of the storage room where Paul told me I would find work space. Sure enough, there was a large, sturdy table. I eased the fossil onto it and investigated the area. Lights, magnifying glasses and other tools that even an untrained person, namely me, could see were meant for examining specimens were stored neatly on open shelves or hanging on pegboard. A computer station was set up next to the table, a typed sheet of instructions taped to the desk top beside the keyboard -- coffee rings indicated its preferred use. I emptied my bag of the camera and other supplies, positioned the fossil on top of a large square of black felt, and arranged the lights. In no time, my makeshift photography studio was ready for business.
"At least three clear, shadow-free views of each specimen" were my instructions. I experimented with different orientations of the piece and took a number of shots, being careful to include a metric ruler to show size. Paul already had pictures of dinosaur bones, in situ, that he'd taken with him to Montana for the lecture and PowerPoint presentation that would start off his class. My guess was that the photographs I was taking were similar to what had been stolen, or what he expected to find at the new site. He probably wanted his students to see what the entire object would look like once recovered. Made sense. I'd sure need to see what I was supposed to be looking for.
A month or so ago I'd been leafing through one of his journals, looking at pictures of bones not yet removed from the ground where they were found. In most cases it was difficult for me to tell the difference between fossils and regular old rocks, even when someone was pointing to them.
"It takes practice to develop an 'eye'," my lover said. Delighted at my interest, he explained what to look for, pulling visual aids from his briefcase and dragging me out to the garden behind the house for a live comparison with actual rocks.
After that, every time I went out to the garden to weed I'd examine each rock for fossil potential. Every time he'd grin, kiss me, say, "Nope," and toss it into the blackberry bushes at the back of the yard.
After a week of that routine I uncovered a fist-sized, pulse-quickening treasure.
"Excellent example of lepus silicis." He hefted the smooth, gray, probable fossil, turning it with care.
Then he pitched it.
I jumped, too late, for his arm.
"Hey! That's a lepus silicis!" I restrained myself from smacking him with my gardening gloves. "Go get it out of the blackberries."
"You never took Latin, did you?" The edges of his eyes crinkled.
"No. I took Advanced Calculus to feel superior."
"Lepus silicis. Rabbit rock."
"What the hell's a rabbitrock?"
With solemn authority he laid a hand on my shoulder and looked me in the eye. "A rock you throw at rabbits."
I punched his arm. Laughing, he caught me before I could hit him again, threw me over his shoulder, and carted me back to the house. Frickin' comedian.
An hour later, when we were both smiling contentedly, he enticed me to accompany him in July to Montana where he'd teach his six-week fieldwork class. But, there was no way I could leave my accounting business. The best I could arrange was two weeks. At the time it was barely May, and although he wouldn't be leaving until the end of June, a missing-him ache already surrounded my heart.
In hindsight, it turned out to be a good thing. My dedication to my clients made it possible to run these errands today.
I finished photographing the first fossil and admired the images on my camera. All twelve of them. I'd send them all. He'd be thrilled, and with the help I was giving him he'd still have time to scout out a new location for the students to explore and excavate. I was swimming in self-confidence.
After returning the first fossil to its proper shelf, I located the next one and repeated the process. As I was setting up the third specimen there was a whoosh and thump as the big storage room door opened then closed. I didn't expect to be the only one doing work but was a little surprised when the echo of footsteps came closer. A young man, probably a few years short of my twenty-nine, dressed in khakis and an almost white short-sleeve shirt, rounded the end of the stacks and approached. His aquiline nose found the perfect accompaniment in the unrestrained, enthusiastically curling brown hair that brushed his shoulders. However, an aggressive scowl trumped any potential friendliness his appearance might have produced.
"Hello," he said, and crossed his arms.
"Hi." I lowered my camera and smiled.
His gaze barely touched my setup before snapping back to me. "Taking pictures?"
Wow. What a masterful command of the obvious. In the pause before I answered, a flush crept up his neck and he shoved his hands into his pockets. Poor guy. He really didn't have a firm grip on "man-in-charge."
"Yes. Dr. Hudson asked me to take some photographs and e-mail them to him. I'm Thea Campbell, by the way." I held out my hand.
"Scott Loch." He extracted a hand from his pocket and gave mine a damp, cursory shake. "I'm surprised the web site photos aren't sufficient." His gaze went to the list of fossils sitting on the table. "Is this yours?" He picked up the e-mail printout.
"Yes. The web site shows only one view of each fossil." I was surprised he didn't know that. "Are you part of the Paleontology Department staff?"
Instead of replying, he took a long look at the e-mail with my name and Paul's in the heading. Call me crazy, but I was willing to bet he hadn't shown up out of curiosity. He was checking on me, and I suspected Mrs. Peabody had put him up to it. The woman wasn't going to give up. He put the paper down before he answered my question.
"More or less. I'm a grad student and Dr. Whitaker's secretary for the summer. Are you an undergrad?"
"Dr. Whitaker?"
"Department head."
"Oh, right. Actually," I said. "I'm a friend of Dr. Hudson's. I'm just running this errand for him."
A hank of his hair fell forward. Frowning, he pushed it back, briefly snagging his fingers. "He could have asked one of us. Why didn't he?"
"I'm sure I don't know." And as much as I hated to admit it, he had a point.
"Are you sure you're able to manage this?" He picked up the copy of Paul's e-mail again. This time he seemed to be reading the instructions. He kept glancing at my setup. "Pat should have gotten in touch with me."
"Pat?" I asked. The name wasn't familiar.
"She's Dr. Hudson's graduate assistant this summer."
My molars slammed together with enough force to send a sharp pain through my temples. Paul's graduate assistant out in the wilderness with him was a woman? Was there a reason he had not told me his assistant was female, had not corrected me when I'd commented on how pleased he seemed to be that he had gotten him for an assistant? This was phone call material. E-mail was too easy to evade. Not that I was jealous. Just cautious. And not stupid.
"The camera? Can I see it?" Scott's hand extended toward me and flapped in a give-it-to-me gesture. I guess I missed the first request.
Although I tried to think of one, I couldn't find a reason why he shouldn't see my photographs. Irritated, I passed the camera to him and waited for him to ask me how to operate it. He scanned the shots I had taken with the assurance of a techno-geek, then returned it to me.
"Don't let me keep you from your work," he said. "Nice to meet you."
Right.
Within two undisturbed hours I'd relegated Pat to the status where she belonged -- an academic necessity -- and photographed nearly all the fossils. There were four I couldn't locate, although I spent a good deal of time trying. Paul needed them. Maybe someone had checked them out, like library books. I rolled my shoulders and sighed. There was only one thing to do. Get help. I would have to go back to the dragon.
She wasn't there, but Dr. Fogel was. My jaw unlocked.
He stood, absorbed in some papers, and didn't notice me walk up.
"Excuse me," I said.
He paused in his reading, gave me a blank look, then a congenial nod.
"Miss Campbell, done already?" He pushed his glasses up his long thin nose.
"No, I'm afraid not. I ran into some problems and wondered if you could help."
"I can try." Although the man was all straight lines and angles, his expression held soft humor.
"I'm having some trouble locating some fossils on my list." I handed it to him. "I circled the catalogue numbers of the ones I couldn't find."
All at once his edges and angles sharpened. "Ah yes, I see. How's everything going at the dig?"
He should know. Paul told him I was coming, he must have told him why as well. A zing of warning spiked up my spine. It was the same feeling I got whenever a horse I was riding telegraphed his tension when sensing a possible threat. Instinct kicked in; minimize my reaction, and divert attention. "He hasn't said much. So, the fossils I couldn't find -- I was wondering if someone might have checked them out."
Affable once again, his warm brown eyes regarded me with amusement over the top of his glasses. "No, all specimens remain in the archives. Although it's possible someone might have put them back on the wrong shelf. That happens sometimes." He perused the list, his eyebrows making journeys up and down his forehead as he read. "Well, let's go see what we can find."
He preceded me down the hallway at a brisk pace, my list fluttering in his grasp. I sprinted, catching the storage room door just before it closed behind him, slipping once again into the chilly, dry-earth-scented repository.
Dr. Fogel had already reached the first fossil location and was scanning the shelf above and below its assigned spot when I caught up. He made an about-face and examined the shelves on the opposite side of the aisle, just as I had done. He harrumphed, consulted the list, and hustled to another aisle. This he did twice more with the remaining specimens while I followed anxiously waiting for an exclamation of success that never came. With a shake of his head, he headed to the computer, pulled up a search screen, and typed in the catalogue numbers, his large hands moving with surprising dexterity over the keyboard. Then he repeated the search using the Latin name of each specimen, and again with other search criteria. With each effort his frown grew more pronounced, and the furrow between his eyebrows deeper. He consulted my list again, then headed for the stacks. Again. I listened to his rummaging as he moved from one area to another, checking areas of the storage room I hadn't. My worry grew right along with my irritation at being left uninformed. After several long minutes he returned.
"Let me check something else."
I chewed my lip and traipsed after him to the computer. He clicked on a couple of links, and stared at the screen, one hand resting on his hip and the other covering his mouth and chin. The blue and white screen cast an eerie reflection on the lenses of his glasses, making him appear eyeless.
"At least I can get the rest off to Paul." I tried to sound unworried.
"What? Oh, right, yes. Good idea." He lightly tapped his jaw.
"Maybe the photographs I have already will be enough."
He nodded as though he were responding to the sound of my voice rather than the words, then shut down the computer and walked away. He stopped and turned, his index finger touching his lips before pointing at me. "Perhaps the specimens you found will be sufficient."
"Thank you for your help," I said to his now-retreating back.
I combed my fingers through my hair and massaged the back of my neck, rolling my head. There was nothing to do but go home with what I had. The idea didn't make me happy. I should be able to do better than this. Giving up never sat well with me, whether riding my horse, working on my clients' books, or anything else. Paul was fast becoming the most important person in my life, yet I had to give up on something that was important to him. But, dammit, what else was I supposed to do?
I packed my camera and supplies in my bag and left. I'd found and photographed eleven of the items on Paul's list. I paced, distracted, down the now-familiar, long hallway flogging my memory for some clue, some approach I'd missed that would help me get the remaining four fossils. 
Paul was efficient. Every photograph would have a specific purpose for his lecture, and he was missing better than a quarter of them. If I'd planned the presentation my list would … include back-ups -- duplicates, or near duplicates, just in case there were problems.
I stopped. Why hadn't I thought of that earlier? That was it!
Had he thought of that -- to include back-ups?
My excitement sputtered. How was I going to find out? Why hadn't I asked Dr. Fogel before he left? The dragon was probably back at her desk. Now I'd have to ask her where I could find him. Damn.
I hiked my bag more securely on my shoulder. Okay, then. I'd faced her once. I could face her again. As I rounded a turn in the corridor Dr. Fogel's voice echoed softly ahead, coming toward me but still some ways away. Hope I could avoid Mrs. Peabody again quickened the pat-pat of my sneakered feet until Scott's angry, strident pitch cut off Andrew Fogel's quiet tone, halting my rush.
"If you don't do something I'll --"
"You'll do nothing. I'm certain he already suspects me. If you're found out it will --"
Their voices were getting closer.
"I won't jeopardize our plan." Scott's tone was a sneer. "But I'm telling you we have to do something about her."
Her? Her who? Her me? What had I done? Crap.
There was nowhere to hide.

Tuesday, January 25, 2011

Levels Of Deception -- the second Thea Campbell mystery

 Yay!! The second Thea Campbell mystery, Levels Of Deception, will be coming soon! Expect it to see it available in e-format and print toward the end of February! In this adventure Thea must step out of her familiar world of dressage and Snohomish, Washington, and into Paul's world of paleontology in the hills of Montana.

Here's the backcover blurb:


Thea isn't supposed to obsess about a murder in the basement of Seattle's Burke Museum, even though the victim was her absent boyfriend Paul's colleague -- even though her gut screams at her to pay attention. So when the police connect Paul to thefts at the museum and the murder, despite his being two states away on a dig, Thea secretly launches her own investigation to clear him. Paul's stubborn refusal to give her any information doesn't slow her down, but an attempt on her life does. Coerced into running to Paul's paleontology dig in Montana for safety, what she finds there is far from a refuge. The levels of deception are more personal and extend farther than she could have imagined. The price of her pursuit of truth will be blood.





And just a reminder -- Don't forget the Blog Tour de Force. And especially don't forget to drop by here on Saturday when it's my turn! Looking forward to seeing you all there!

Sunday, January 9, 2011

Sample Sunday - and More!

Before we launch into this week's sample, I've got two bits of news -- both fun & rewarding in their own ways!

News flash #1: The second book in the Thea Campbell Mystery Series, Levels Of Deception is being readied for publication! Expect to see the cover art soon, some tantalizing bits of story, and when in February (yes, next month!) you can expect to see it hit the virtual shelves!!

News flash #2: The Blog Tour de Force! Don't miss it!! It's fun, easy AND you could win stuff!! A FREE KINDLE with 12 FREE BOOKS! Gift baskets from the twelve participating authors (including me!)! Here's the link to the Blog Tour de Force - Get Loaded! The tour begins on January 17, so mark your calendar!

Now, on to our regular feature.

In today's sample from Death By A Dark Horse, Thea explains the latest bit of drama to her Aunt Vi and Uncle Henry, only to have the conversation take an unexpected turn!


Resting the ice pack against my jaw, I gave a brief sketch of Paul's rescue to an attentive audience. Aunt Vi tipped her head. Her eyes and mouth formed little "Os." Of course I left out the emotional stuff and the Paul-thing after Greg decamped, although I gave Paul credit for his suggestions. Neither did I mention my encounters with Randy. That couldn't be important. No point in adding needless worry.
"Have you called your parents yet?" my aunt asked.
"Please don't tell Mother and Dad. I swear I'll tell them after the police solve this. There's nothing they can do. They'll only worry. Please?"
"They're your parents, love, they have a right to know what's going on."
"I know, but since I'm not involved anymore wouldn't it be better if we tell them after the sheriff solves this? Then they won't worry over nothing. Please, Aunt Vi?" I turned an imploring gaze on Uncle Henry. "Please? It's not like you're not right here."
He ran a hand over his face then studied me for a long moment.
"All right." He flicked a quick glance at Aunt Vi, who shook her head and turned her attention to preparing the tea. "On the condition that, should anything change and you become involved again, they'll be called immediately."
He meant if I were arrested. Good thing I'd left out how close I was to that. I slouched in my chair.
"Thanks. I promise."
Aunt Vi only harrumphed and intently arranged the porcelain tea pot and cups on the table. It was the Spode set with the red rosebuds I bought for her when Jonathan and I flew to Victoria for a weekend last January. If it hadn't been for the shopping and sightseeing, the trip would have been a colossal waste of time.
"It was Blackie's doing, you know," Aunt Vi said pouring the first cup. She handed it to me.
"What was Blackie's doing?" I asked. Talk about a non sequitur.
"At the end of the day, you'll see. He knew." She fixed a cup of tea with milk and handed it to Uncle Henry.
"Blackie knew?" Uncle Henry asked.
"Yes." She passed him the sugar bowl and stirred her tea.
My uncle and I looked at each other. He shrugged minutely. We'd obviously switched subjects, but I wasn't sure what the new subject was. "What did he know?"
Aunt Vi took a deep breath and pursed her lips on the long, slow exhale. Oh. I knew where this was headed but went for the wide-eyed sincere look, anyway.
"What?"
"He knew you were in trouble, of course. He tried to tell us."
I knew it. She was creating a psychic connection out of a coincidence. I shifted around in my chair.
"You know how close you two are," she said. "Why, he always knows when you're on your way. I've seen him out there in the field stop all at once and gaze into the distance." She did a little impression of Blackie -- freezing as if on point, looking intently in the direction of my house, jaw slack. I had to smile. "See? Just like that. Then he whinnies and goes back to eating. Not five minutes later here you come rolling up the drive. I'm telling you, he knew you needed help today, Thea."
"Don't be ridiculous," I said, taking a swallow of tea. "The next thing you'll be telling me is Blackie can read your Tarot cards."